Afghanistan: Between Hope and Fear, by Paula Bronstein
Foreword by Kim Barker
Introduction by Christina Lamb
University of Texas Press
Publication date: August 2016
In the fall of 2001, the award-winning American photojournalist Paula Bronstein traveled to Afghanistan on assignment for Getty Images to document the U.S-led « Occupation Enduring Freedom » in the wake of the 9/11 attacks. Captivated by the indomitable resilience and spirit of the Afghan people and the rugged beauty of their country’s landscape, Bronstein has made Afghanistan her mission ever since. She has returned to the country repeatedly over the past 14 years to document the lives of the Afghan people against the backdrop of a brutal and protracted war. This remarkable and nuanced body of work is gathered together for the first time in Bronstein’s powerful new monograph Afghanistan: Between Hope and Fear
(University of Texas Press, August 2016).
What sets Bronstein’s photographs apart from many of her peers is her choice to spend most of her time with the Afghan people. Her work goes beyond war coverage to reveal the full complexity of daily life in what may be the most reported on, yet least understood country in the world. The result is an intimate photographic portrait of this war-torn country’s people spanning 2001-2015. With empathy born of the challenges of being a female photojournalist working in a conservative Islamic country, Bronstein gives voice to many Afghans who remain silenced by Taliban repression, particularly women and children.
Mazar-E-Sharif, March 8, 2008. A woman in a white burqa enjoys an afternoon with her family feeding the white pigeons at the Blue Mosque; Bamiyan, November 19, 2003. Many families who, fleeing the Taliban, took refuge inside caves adjacent to Bamiyan’s destroyed ancient Buddha statues now have nowhere else to live.
Represented by Getty Images Reportage, Bronstein documents the on-going challenges still facing the country today — among them, human rights abuses against women, poverty, heroin addiction and increased violence and instability — to the stirrings of new hope, including women participating in elections for the first time, education for girls, and expanded job and recreational opportunities for both men and women.
Kabul, April 5, 2014. Burqa-clad women wait to vote after a polling station runs out of ballots.
Kabul, April 1, 2014. Young women cheer as they attend a rally for the Afghan presidential candidate Ashraf Ghani.
Afghanistan is cited by international rights groups as one of the worst places to live if you are born female and Bronstein’s searing photographs bear this out — from her depiction of the struggle of Afghanistan’s over 2.5 million war widows many of whom are left penniless and powerless and forced to beg on the streets, to the anguish and desperation of Afghan women who practice self-immolation to escape forced marriages and domestic abuse. Bronstein counters the tough issues with positive photographs of women active at political rallies and girls engaged in learning in school classrooms.
At the core of Bronstein’s work is her compassion for her subjects and her ability to gain extraordinary access to document the hope and beauty as well as the harsh realities of their lives. She is relentless in her pursuit of stories she believes must be shared with the world, and she goes after them, sometimes at great personal risk.
In her afterword in the book, Bronstein writes: « I have made some of the most extraordinary photos of my career in Afghanistan, with face after face offering a complex and intriguing gaze and revealing the constant tension between optimism and reality that shapes the lives of so many here. I keep going back, motivated and inspired by those faces, pushing against the difficulties, hoping to find fewer doors slamming shut and more people seeing reasons to smile. »
Kabul, January 13, 2002. A girl looks through the frosted window of a restaurant, hoping to get leftovers. She begs after school to help out her family; Lashkar Gah, Helmand Province, June 23, 2014. Razima holds her two-year-old son, Malik, while waiting for medical attention at the Boost Hospital emergency room.
In her introduction, fellow award-winning journalist Christina Lamb describes the gains that Afghan women have made since the overthrow of the Taliban, as well as the daunting obstacles they still face, and Kim Barker, a staff reporter for The New York Times, writes the foreword. Afghanistan: Between Hope and Fear is an eloquent portrait of everyday life and a story about the legacy of America’s longest war. This important and beautiful volume is the most complete visual narrative history of the country currently in print.
Kabul, February 24, 2002. Buzkashi players carry a head- less calf toward a goal zone. Though banned under the Taliban, buzkashi is considered Afghanistan’s national sport ; Band-E-Amir, September 6, 2009. Located in central Afghanistan, near the Bamiyan Buddhas, the area was declared Afghanistan’s first national park on April 22, 2009.
About Paula Bronstein:
With over 30 years in the news business, Paula Bronstein is one of America’s most distinguished female photojournalists. She has won numerous awards, among them: Pictures of the Year International; National Press Photographers Association (Runner up: « Photographer Of The Year »); The Pulitzer Prize (Finalist: « Breaking News »); The Overseas Press Club of America (John Faber Award); Foreign Correspondents Club: Thailand (« Asia Photographer of the Year »); Leica Oskar Barnack Award (Finalist); and China International Press Photo (« Photo Of The Year »).
Her work has been featured in numerous individual and group exhibitions including « Afghanistan’s Health Crisis, » Lido, Italy (October 2015) and the Annenberg Space for Photography, Los Angeles (December 13, 2014 – May 3, 2015); « Women in War » at the 2014 Korea Photo Biennale; and « Women Between Peace and War – Afghanistan, » which traveled to New York, Miami, Denver, Chicago, Washington D.C., Philadelphia, Los Angeles, and San Francisco. Other venues include War Photo Limited in Dubrovnik – « Women War Photographers, » Visa Pour L’Image, Perpignan, France (2008), The Fence an outdoor Photography Exhibition – Photoville, New York (2014). For more information about Paula Bronstein, gohere
Kim Barker is a staff reporter for The New York Times and the author of The Taliban Shuffle: Strange Days in Afghanistan and Pakistan, which is being adapted into the film, Whiskey Tango Foxtrot, starring Tina Fey. She was also former South Asia bureau chief for the Chicago Tribune.
Christina Lamb is currently a foreign-affairs correspondent for the (London) Sunday Times. Lamb has been named Foreign Correspondent of the Year five times; she has also been awarded the Prix Bayeux, Europe’s most prestigious prize for war correspondents, and the British OBE. A best-selling author who has been traveling to Afghanistan since 1987, her most recent book is Farewell Kabul: From Afghanistan to a More Dangerous World.
11 x 10 inches (27.9 x 25.4 cm)
228 pages/114 color photos
$55.U.S. / £38